My blog has moved and changed name to DESIGN SODA, I’d love it if you followed along with my new content there.
Of all the things I love spending time looking at for the home, entomology, curios and Victorian natural history are amongst the most regular. One of my favourite things in the flat is my collection of butterflies below.
But there is a difference between taking influence from the past and simply recreating pastiche. It is a difficult line to balance as Baz Luhrmann’s latest production of the Great Gatsby attests, I found it crude, oversimplified, overly signposted history-bling. At the same time I applaud his attempt to remould the old for modern sensibilities.
Now I don’t want to pastiche the Victorian era – too dark, too fussy, too much wood – however I like the oddities when they don’t look contrived. One of the most stunning things I have seen this year was Richard Harris’s personal cabinet of curiosities relating to death, on display at The Wellcome Collection, it included this stunning chandelier made from human bones – so grotesque and beautiful at the same time.
I love curios or objects that are surprising, particularly victorian examples, think architectural follies, the grand tours and taxonomy. In the flat we have witches mirrors, framed old magic lantern slides and I seem to be buying things with entomology on all the time:
For the past year I have been looking for nineteenth century drawings of natural history to frame. I bought a lovely Cuvier plate on ebay but find most originals horribly expensive, especially those old science lesson hangings . So imagine my delight when I stumbled upon the Biodiversity Heritage Library’s Flickr stream this week. They have made over 73,000 images available and are really beautiful (I will not admit to how many hours I have spent looking at them this weekend!). There is everything from mollusks and coral plants to birds and bugs, here are some examples of my favourite entomology plates:
Now what to do with them…